
Here's me with Maia and "Fast Fingers" - two of my favorite members of Pirates for Sail.

And here's me with a very well-dressed sailor and Jack Sparrow.
You can see more photos here.


Nonetheless, the exclusively online approach is the path my alma mater is pursuing with its student newspaper. In an explanatory essay posted to the University of St. Thomas web site, my former mentor says it's incumbent upon the school to "lead the way, rather than following heel marks on the news-gathering landscape." To be clear, I am glad they're looking more forward than back.
In less than 24 hours, I'll be in New York City and riding the subway. I'm not exactly relishing the notion, but it's for a good cause, so I'm grinning and bearing it.
Jotting down venue information for the July 10 performance, I made a note to check on ticket prices when I got home. Surely in these depressed economic times, I thought, ticket prices would be reasonable to encourage sales. Alas, no. Tickets start at $20 each — and that's for admission to the lawn beyond the outdoor theater's edge. Mediocre tickets cost $38 and the best seats in the house go for $48. That's not reasonable. That's not even practical. I'd have to sell my PlayStation 2 and all accompanying games to get two tickets to the event. And that ain't gonna happen.
Washington, D.C. has just been named the third best place to live and work, according to Kiplinger. Their key point of evaluation this year was jobs:When our numbers guru, Kevin Stolarick, evaluated U.S. cities for their growth potential, he looked not just at the overall number of jobs, but also at the quality of those positions and the ability of cities to hold on to them when the economy softens.For the curious, D.C. ranks below Huntsville, Ala. and Albuquerque, N.M. The other cities on the top 10 may surprise you - not a lot of large urban centers in there.
At a time when Americans are fighting for equality, praying to keep their jobs and struggling to pay the bills, it's easy to feel defeated. And when it seems like the world hates you, it's so tempting to hate the world right back.
Yes, my apartment complex had yet another false alarm last week. It's was early Wednesday morning when the alarm sounded, forcing Annie and I from our warm and comfortable bed, down 14 flights of stairs and out into the chilly night. And wouldn't you know it — all for naught. I would have been livid had I not been so tired. So very, very tired.
So what takes me to the Big Apple? I've accepted an invitation to speak at an LGBT summit in New York. I'm a late addition to the "Putting the 'B' in LGBT Summit" being held Saturday at the LGBT Community Center in New York. The event focuses on bisexual issues, an often misunderstood part of the pride rainbow. So for one day, a distinguished group of individuals are coming together to set the record straight. So to speak.
• Life has not yet allowed me to see "Wolverine — which Rotten Tomatoes would say is a good thing — but a spinoff is already in the works. I'd say plans for a spinoff of a spinoff seem odd, but this is the X-Men franchise, so that's about par for the course.
When my boss gave me some good news the other day, I responded "Huzzah!" which prompted him to ask, "What's the deal with you and pirates, anyway?"
The past few years have seen a number of "rebooted" movie series. James Bond got a harder, edgier feel with Daniel Craig in the title role. Then a new director and a let's-start-from-the-very-beginning attitude gave Batman a brand-new (and much darker) feel. And now we have Star Trek, helmed by a new director, with new actors playing established roles. (And in the future, we'll even get a new Tron flick, with a soundtrack by Daft Punk!)
Awhile back, Josh began collecting the Star Trek Fan Collective series of DVD sets. What we both dig about them is that they are thematically grouped and typically include some of the best (or at least most well-known) episodes of all five Star Trek series. I'd never really watched much of the original series, but by contrast, I was totally addicted to Next Gen. DS9 enthralled me for about a season before I got tired of its claustrophobic, soap-opera feel, and I didn't really get into Voyager or Enterprise. But watching these themed sets helped me appreciate the better parts of each series.
• Jason Biggs (1978)
No longer are "Rayman Raving Rabbids" or "Bully: Scholarship Edition" vying for my attention. There shan't be a "No More Heroes" or "Blast Works: Build, Trade, Destroy" on my shelves. And my galactic adventures this week will be limited to appreciation of the new "Star Trek" movie. Neither "Star Trek: Conquest" nor "Geometry Wars: Galaxies" will pry open my pocketbook. There are only two games I'm still considering adding to my collection — the two games left standing.
There were eight games priced $19.99 and cheaper that caught my eye. We've already eliminated four from consideration. Now we need to axe two more so we can get to the final round. So in this installment of Saver Smackdown, we're pitting the second two winners against each other as we narrow the field. Ready? Fight!
There were eight games priced $19.99 and cheaper that caught my eye. We've already eliminated four from consideration. Now we need to axe two more so we can get to the final round. So in this installment of Saver Smackdown, we're pitting the first two winners against each other as we narrow the field. Ready? Fight!
There are eight games priced $19.99 and cheaper that have caught my eye. I'm slowly introducing you to them and asking for your help in choosing one over the other. The winning four games will then be narrowed to two — and a final round will yield the winner.
There are eight games priced $19.99 and cheaper that have caught my eye. I'm slowly introducing you to them and asking for your help in choosing one over the other. The winning four games will then be narrowed to two — and a final round will yield the winner.
There are eight games priced $19.99 and cheaper that have caught my eye. I'm slowly introducing you to them and asking for your help in choosing one over the other. The winning four games will then be narrowed to two — and a final round will yield the winner.
There are eight games priced $19.99 and cheaper that have caught my eye. Over the next four days, I'll introduce you to them and ask for your help in choosing one over the other. The winning four games will then be narrowed to two — and a final round will yield the winner.| A new shot of Destro's underwater base. The large submarine could be Destro's transport. He embraced such means of travel in the comic books. | ![]() |
| Destro, presumably inside his base and flanked by his own troops. If tradition holds, these soldiers would be his Iron Grenadiers. | ![]() |
| A nighttime desert scene. It seems the film's producers seem to be making good on their promise to visit exotic locales. | ![]() |
| An odd shot featuring nomadic travelers with camels walking above some machines burrowing or traveling underground. | ![]() |
| The apparent control room of Destro's underwater base. Note the main displays showing what I believe to be the missiles unleashed later. | ![]() |
| A close shot of the Baroness. It's difficult to discern her location in this scene, what with the nondescript background. | ![]() |
| The burrowing machines we saw earlier, perhaps, arrive at some unknown location. The multitude of vehicles could indicate a siege is underway. | ![]() |
| Baroness and Storm Shadow disembark from their vehicles as other burrowing machines arrive at the unknown location. | ![]() |
| Soldiers are given their Viper uniforms. We now know these masks to be Viper helmets rather than Battle Android Trooper faceplates. | ![]() |
| An arctic missile launches. Two items of note: The missile bears Destro's MARS brand and some warmly attired people are watching. | ![]() |
| The missile continues its ascent, notable only in that G.I. Joe operatives neither prevent its launch nor immediately stop it. | ![]() |
| The missile is shown to be one of many to be presumably simultaneously launched. But what streaks across the sky to the left? | ![]() |
| Two people in Paris watch as a missile strikes the Eiffel Tower. This apparently leads into the events we saw during the Super Bowl commercial. | ![]() |
| A new, wider shot of the Eiffel Tower as it's consumed by Destro's destructive nanomites. You do remember about the nanomites, yes? | ![]() |
| Another new shot of the Eiffel Tower's destruction. I think it's notable that this target was chosen over another, such as the Statue of Liberty. | ![]() |
| A shot from above as the Eiffel Tower begins to fall. I can understand the desire to highlight this sequence; it's certainly an compelling one. | ![]() |
| You don't realize how many editing cuts go into a sequence like this until you grab a frame from each one. Wow. | ![]() |
| Paris pedestrians and tourists flee as the Eiffel Tower comes crashing down. Destro's midday attack provides maximum impact. | ![]() |
| An apparent G.I. Joe transport takes team members to Egypt as they begin or continue their mission to stop Destro. | ![]() |
| An apparent military vehicle appears to descend into what could be G.I. Joe headquarters. Don't you love how very specific I can be? | ![]() |
| Possibly the same vehicle from above as it lands in what is almost certainly is the entrenched G.I. Joe base, The Rock. | ![]() |
| Several apparent G.I. Joe team members, including the red-headed Scarlett, disembark from their military transport. | ![]() |
| Duke at what early movie scripts indicate to be the bodiless funeral for his best friend. But the friend lives — and turns rogue. | ![]() |
| Scarlett zips down a line, apparently leading or joining a G.I. Joe operation, covert or otherwise, already in progress. | ![]() |
| Ripcord sporting attire marked with the G.I. Joe insignia. I have no clue what structure that is behind him. Guesses, anyone? | ![]() |
| Duke, possibly participating in the same nighttime operation in which Scarlett is shown above. A lot seems to happen at night in this movie. | ![]() |
| Snake Eyes, also possibly participating in the operation. His skill with a blade, impossible to convey with a still image, is impressive. | ![]() |
| Another scene with Duke, this time as he's apparently being recruited for G.I. Joe. "I want in," he says. | ![]() |
| A series of shots establishing the Delta 6 Accelerator Suit. In classic Hollywood reveal style, we start with the boot and go from there. | ![]() |
| What appears to be the shin or lower leg portion of the suit. The twirling component around the ankle is a nice touch. | ![]() |
| Portions of the suit's lower arm, elbow and glove armor are visible in this shot. It's a complex piece of technology, to be sure. | ![]() |
| Duke in what appears to be the G.I. Joe armory. I'm unsure who's speaking behind him. Could it be Heavy Duty? Or someone new? | ![]() |
| The apparent acceleration component of the accelerator suit is this spinning mechanism along the wrist. Who else expects it break down? | ![]() |
| A brief glimpse of someone, probably Duke, fully suited up. The resemblance here to "Halo" armor is somewhat striking. | ![]() |
| Another shot of the suit's accelerator mechanism. Note the laser pointer affixed to it. Does the suit fire projectiles? | ![]() |
| Ripcord in the same G.I. Joe armory, apparently. Seemingly more skeptical of the suit that Duke, Ripcord grimaces slightly. | ![]() |
| Duke, Ripcord and our, ahem, suit salesman, together in one shot. He seems to be slightly contemptful of Ripcord. | ![]() |
| A possible testing ground for the accelerator suits at or near G.I. Joe headquarters. I see now the movie has more CGI work than I first realized. | ![]() |
| Duke begins to run in his accelerator suit. You'll notice he lacks his helmet, though, likely indicating a necessary rush to aid or engage. | ![]() |
| With his momentum gathered, Duke takes a flying leap. Or something. There's a lot of quickly cut shots in this trailer… | ![]() |
| Apparently desperate to catch the flying vehicle passing nearby, Duke takes his chances in the accelerator suit. | ![]() |
| A rather sizable explosion lights the forest at night. It's difficult to see here, but I think an airborne vehicle swooping low launched the attack. | ![]() |
| Wielding an automatic weapon, Baroness fires away at her unseen target. The apparent reflection near her indicates she's outside. | ![]() |
| A challenging shot to discern, a seemingly armored person on right is struck by an energy projectile of some kind. | ![]() |
| Another tough shot, it seems that the above accelerator suit test goes bad. Tumbling head over heels, someone has a disastrous finish. | ![]() |
| Flying through some kind of tunnel, an airborne vehicle avoids flames and possibly debris as it progresses along its path. | ![]() |
| Two airborne vehicles, resembling the kind Duke leaped from a building to catch, launch from a larger ship and streak into the sky. | ![]() |
| Standing in what might be the G.I. Joe control room, Hawk yells out that "the mission is a go!" To whom he's talking and what mission he means is unclear. | ![]() |
| A befuddling shot, it seems that Duke is helping or protecting a wounded Baroness. You'd think that to be Destro's job, but no. | ![]() |
| A vehicle speeds by, firing or leaving in its wake some type of energy projectile or wave, which rips apart the road's pavement. | ![]() |
| Judging form their uniforms, two G.I. Joe team members are working in the cockpit of some type of vehicle. But is it theirs? Or is it stolen? | ![]() |
| What looks like another view of Destro's underwater base. If so, the base is far larger than what I previously imagined. | ![]() |
| Not to be outdone by Duke, Storm Shadow gathers his momentum to take a flying leap. Perhaps that's what I'll call this trailer: Flying Leap. | ![]() |
| Crashing through the window of what might be some government building, Storm Shadow begins to fall downward… | ![]() |
| …and continues to fall downward, ever closer to the busy road below him, until he reaches and grabs a ledge to stop his descent. | ![]() |
| A busy scene where some female figure fires a weapon — or two — across a bridge or walkway. The explosion seems to destroy the walkway. | ![]() |
| Duke, I think, yells something indecipherable as he watches events unfold through a window or viewport. He's apparently troubled. | ![]() |
| The apparent front end of a vehicle that's moving, for reasons unknown, at ramming speed. We also don't know who's driving or why. | ![]() |
| Topped by Snake Eyes, the ramming vehicle quickly approaches another vehicle and the momentum flips it upward. | ![]() |
| Snake Eyes and Storm Shadow locked in battle. It's interesting to note that their fight seems to occur inside a destroyed base. But who's base? | ![]() |
| The two continue their battle as they momentarily disengage and draw their swords. Let the martial arts action commence! | ![]() |
| Our first good look at Storm Shadow let us see a figure who's costuming and presentation are very close to the character's classic style. I approve. | ![]() |
| Displaying again the sword wielding prowess we saw earlier in the trailer, Snake Eyes moves in to confront Storm Shadow. | ![]() |
| In yet another shot of their battle, it seems that Storm Shadow is moving to dodge the attack Snake Eyes has brought. | ![]() |
| A side angle shot of the fight, we see for the first time that someone is lying on the ground nearby. Who is this person? Why are they there? | ![]() |
| The vehicle we saw before collides with a commuter train and begins to fly upward — in defiance of physics — out of control. | ![]() |
| Now tumbling through the air and completely out of control, the vehicle spins as it reaches its apex and begins its descent. | ![]() |
| A commuter train, perhaps, moves through what should be a peaceful urban area. This shot leads into a scene from the Super Bowl commercial. | ![]() |
| Back underwater, a vehicle is struck by some type of energy projectile or wave. You notice how often such devices are used? | ![]() |
| Now a quick cut that yields little information, a missile spins directly toward the camera and is followed or pursued by an airborne vehicle. | ![]() |
| Scarlett and Breaker appear hard at work inside a control room. Might this be Destro's underwater base? | ![]() |
| Another shot of the missile — or a different missile altogether — as it explodes and we see the green sphere it carries inside. | ![]() |
| The green sphere, possibly those pesky nanomites again, expands as the airborne vehicle heads directly for it. A good shot from the cockpit. | ![]() |
| Enveloped by the nanomites, the airborne vehicle is unable to divert quickly enough to escape harm and the vehicle is ravaged. | ![]() |
| The mystery pilot yells as some type of automated system quickly surrounds his head with what appears to be a pressurized helmet. | ![]() |
| Another confusing shot, this view from high above (or even space) shows the remains of something that was apparently recently destroyed. | ![]() |
| Someone falls from on high back to Earth. It's possible this person ejected and is falling from the previous shot. | ![]() |
| Back on solid ground, the Baroness tells us that "this has only just begun." Considering at least one sequel is planned, that's good to know. | ![]() |
| What seems to be the Baroness' hand flips a switch, possibly activating the weapons system we see in the next shot. | ![]() |
| A weapon system fires several missiles. This leads into more shots of Joes in accelerator suits, which we saw in the Super Bowl commercial. | ![]() |